The subjects,
young men with bare upper bodies, look directly at the viewer, but with an expressionless
expression. They are in rooms that lack any personal detail, but at the same time are too
tastefully furnished to appear bureaucratic. What makes this series of portraits so unique
is that Douglas paints people without being interested in the identity of those portrayed.
Instead, in some works, the traditional grammar of portraiture is reversed: a houseplant
occupies the foreground of a room, while the portrait of the young man appears in the
background as a mural - it appears flat even in the imaginary space of the painting. Eliza Douglas, in rendering these various figures, outlines the conditions
of a much more impersonal event, a kind of pre-transitive space in which subjectivity
develops as just one quality among many.
I am a Fireball
2017
Oil on canvas
160 x 160 cm
Weird, the Real Kind (1)
2017
Oil on canvas
160 x 220 cm
The Foxes of the Morning
2017
Oil on canvas
175 x 200 cm
Window (Puppies Puppies 2)
2017
Oil on canvas
160 x 160 cm
Fruit Juice
2017
Oil on canvas
170 x 220 cm
How to Survive in this World
2017
Oil on canvas
180 x 220 cm